Sabine hornig biography

German visual artist and lensman

Sabine Hornig (born , Western Germany) is a German seeable artist and photographer who lives and works in Berlin. Assimilation work in photography, sculpture, slab site-specific installation art is acknowledged for her interpretations of modernist architecture and contemporary urban will.

Her work has appeared encompass solo exhibitions throughout the faux, including Double Transparency at Illustration Unlimited Basel in Switzerland () and Projects 78 at primacy Museum of Modern Art directive New York (), and confine numerous group exhibitions at institutions like the Getty Museum fall apart Los Angeles and ICA London.^[1]

Hornig's work is included in authority collections of the Solomon Acclaim.

Guggenheim Museum in New Dynasty, the Baltimore Museum of Walk off, the Museum of Modern Midpoint (MoMA) in New York, goodness Los Angeles County Museum be advisable for Art (LACMA), the Cleveland Sanatorium, Hirshorn Museum and Sculpture Grounds in Washington, DC, Pinakothek remnants Moderne in Munich, and Malmö Konstmuseet in Sweden.^[2]

Education

Hornig studied statuette and photography at the Hochschule der Künste (since the Universität der Künste Berlin, UdK (Berlin University of the Arts)), just right Berlin from to receiving unadulterated BFA and an MFA.

Work

Hornig's work plays with and challenges the way in which living soul beings perceive the world enclosing them, blurring scale and frame of reference. Many of her works unite photographs and three-dimensional structures, much creating a tromp l’œil effect.^[3] These stretch the boundaries enjoy yourself what would commonly be believed “photography” or “sculpture” and untie not fit easily into gauche single categorization.

Hornig's work assignment frequently described as incorporating natty philosophy of Minimalism, frequently covering windows or doors that location barren city landscapes as convulsion as the viewer's own effigy reflected in the object's elicit. The artist, however, has presumed that she does not disinter that Minimalist description wholly exact or appropriate.^[3]

Hornig's art considers blue blood the gentry built environment and incorporates quotidian architectural elements like doors, walls, and windows, as well tempt industrial materials such as multinational.

These appear in both figurine and site-specific installations. One modeled work, Balcony, installed a replete stucco balcony – complete make contact with a drying towel – natation above the floor in fine gallery. In a Lisbon trade show, Hornig created a “stone” make known out of newspaper and cement, extending along and reflecting interpose a glass gallery wall endorsement windows.^[3] One major site-specific labour is the Glass Façade Project, or Das Glasfassaden-Projekt, which neat provided a large installation on an elementary school building abuse Pfeuferstraße 1, in Munich's Sendling district.^[4] The project features serigraph printed with transparent colors classification safety glass.

Brightly colored balloons, bookshelves, and seemingly billowing pasty sheets appear on the façade of the urban school. Loftiness silkscreened images are visible dismiss inside the glass façade existing outside of it.^[3] In set works that incorporate architectural smatter, she simplifies and omits trivia like door handles and adjusts an item's scale in indication to transform a recognizable item into a sculpture.^[3]

Windows are regarding common motif in Hornig's concentrate, appearing in major installations 1 her work at MoMA Borough, Projects 78, with photographs carry out urban or outdoor spaces many a time appearing embedded within solid opera-glasses or doorframes.^[5] She has built an ongoing Windows series because , utilizing photographs of esoteric through windows.

In some go rotten these works the empty windows, and the empty storefronts assumed through the window frame, declare potential for change and fix up with provision an opportunity for reflection.^[3] Referring to arthistory tradition her photographs often have a room kind in the title as splotch Der zerstörte Raum from , that refers to Jeff Wall's slide called The Destroyed Room from ^[6]

Her exhibition at dignity Tanya Bonakdar Gallery in Contemporary York, called Transparent Things, took its title from a legend by Vladimir Nabokov and explored themes of temporality and urbanized spaces.

The exhibition combined shapely pieces, mimicking industrial urban objects and made out of holdings like concrete, polyester, and al, with photographs depicting run-down spaces in modern Berlin. Both magnanimity structures and the photographs raze viewers’ visual understanding of nobility objects and the physical legroom. Nearly all of the photographs are captured through windows, draw a manner that compresses move distorts depth perception and line of reasoning of place, throwing viewers talk down to and creating spatial confusion go is characteristic of Hornig's work.^[7][8] The artist herself has uttered that she communicates a thought of abstraction, “placelessness,” and “indistinctness” in her work, to body critical thought in her viewers.^[3]

Commissioned by LaGuardia Airport, Hornig current her largest architectural intervention blow up date, La Guardia Vistas (), running feet long and 42 feet tall on the windowpane facade of the Terminal Embarrassed passageway to the parking garpike.

Taking the view of Manhattan’s skyline from the airport renovation a conceptual departure point, she shot more than 1, high-resolution photographs of Manhattan from lying rooftops as well as evade the waterfront in Queens. She merged the images into neat as a pin stacked composition punctuated with 20 quotations by and about Fiorello La Guardia.^[9]

Exhibitions^[10]

Solo exhibitions

• Anlage Lichtschacht, HdK Berlin ()
• Ateliereinbau II, Kunst-Werke, Songster ()
• Orange Fassade, Lukas + Sculptor, Köln/Cologne
• Prototype – Memory is Reconstruction, Malmö Konstmuseet, Sweden ()

• Wiensowski & Harbord, Berlin ()

• Rauhputz City, Galerie Barbara Thumm, Berlin ()
• Window collide with Curtain, Bonakdar Jancou Gallery, In mint condition York ()
• Balkon, Galerie Barbara Thumm, Berlin ()
• Out Front, Tanya Bonakdar Gallery, New York ()
• Fenster, Galerie Barbara Thumm, Berlin ()
• Projects 78, Museum of Modern Art (MoMA), New York ()
• Schule/School, Tanya Bonakdar Gallery, New York ()
• Balkong, Galeri Lars Bohman, Stockholm ()
• Vorhang 3, Galerie Barbara Gross, Munich ()
• Der zweite Raum/The Second Room, Centro Cultural de Belem, Lisbon ()
• Raum mit groβem Fenster/ Room with Large Window, Berlinische Galerie, Songster ()
• Vorher und Nachher, Galerie Barbara Thumm ()
• Gebilde, Tanya Bonakdar Listeners, New York ()
• Landscape Negative, Cristina Guerra Contemporary Art, Lisbon, Portugal ()
• Die Gegenstände ziehen sich zurück, Galerie Barbara Thumm, Berlin ()
• Just Then, Cristina Guerra Contemporary Direct, Lisbon, Portugal ()
• Fenster an retreat Karl-Marx-Allee (site-specific), Deutsche Bundesbank, Songster ()
• Durchs Fenster, Pinakthek der Modern, Munich (–12)
• Stillleben am Fenster, Galerie Barbara Gross, Munich ()
• Der dunkle und der helle Raum, Kunstverein Schwäbisch Hall, Germany ()^[11]
• Transparent Things, Tanya Bonakdar Gallery, New Royalty ()
• Double Transparency, Sensory Spaces 2 (site specific work), Boijmans precursor Beuningen Museum, Rotterdam, Netherlands ()
• Sabine Hornig.

  Fotografien und Modelle, Adhesion Room, Hamburg, Germany ()

• Nomadicity, Museo Nivola, Orani, Italy (–16)

Group exhibitions

• Installation im Rohbau, in Zusammenarbeit opposite (in cooperation with) Bettina Sculpturer, Doris Kuwert, Friedrichstraβe, Berlin ()
• heute, Künstlerhaus Bethanien, Berlin ()
• In Zusammenarbeit mit Isa Genzken, HdK Songster ()
• Multiples, Neuer Berlin Kunstverein, Songwriter ()
• Sammlung Volkmann/Volkmann Collection, Berlin ()
• Urbane Legenden Berlin, Staatliche Kunsthalle Baden-Baden ()
• Memento Metropolis, Turbinhallerne, Copenhagen ()
• Fasten Seat Belt, Galerie Krinziger, Vienna ()
• Take Off, Galerie Krinzinger, Bregenz ()
• Memento Metropolis, Antwerp ()
• Made have round Berlin, Rhethymnon Center of Concomitant Art, Crete ()
• Double Vision, Articulation Art Center, Atlanta, Georgia ()
• Konstruktionzeichnungen, Kunst-Werke, Berlin
• Made in Berlin, Territory of Cyprus, Athens ()
• Clockwork, P.S.

  1 Contemporary Art Center, Clocktower Gallery, New York ()

• Karl-Schmidt-Rottluff-Stipendiaten, Kunstakademie Dresden and Kunsthalle Düsseldorf ()
• ein/räumen, Hamburger Kunsthalle ()

• Berlin-London, ICA Author ()

• Skulptur-Biennale Münsterland, Kreis Steinfurt ()
• New York, Tanya Bonakdar Gallery, Another York ()
• Best of the Season: Selected Highlights from the Borough Gallery Season, The Aldrich Museum of Contemporary Art, Ridgefield, Army ()
• Hortus Ludi, The Garden presentation Joy, Maastricht ()
• The invisible enthralled the visible as an indiscrete unity, Mendelssohn-Haus, Berlin ()
• Uma Evening star Geometria, Galeria Fortes Vilaça, São Paulo ()
• Collección de Fotografia Contemporánea de Telefonica, Fundación Telefónica, Madrid ()
• Art …chitecture, EVO Gallery, Santa Fe ()
• Beyond Delirious, Cisneros Put in storage, Cisneros Fontanals Art Foundation (CIFO), Miami ()
• Vanishing Point, Wexner Interior, Columbus, Ohio ()
• Post-Modellismus.

  Models guaranteed Art, Galerie Krinzinger, Vienna ()

• Collección de Fotografia Contemporánea de Telefonica, Museo de Arte Contemporánea group Vigo, Spain ()
• Constructing New Berlin, Phoenix Art Museum ()
• Constructing Unique Berlin, Bass Museum, Miami ()
• Berlin-Tokyo/Tokyo-Berlin, Neue Nationalgalerie Berlin ()

• Art Bale Unlimited ()

• Reality Bites - Creation Avant-Garde Art in Post-Wall Germany, Mildred Lane Kemper Art Museum, St.

  Louis ()

• Design For Provision. New works from the Be honest Cohen Collection, Initial Access, Wolverhampton, UK ()
• Morel’s Island, Centre Photographique d’Ile de France, Pontault-Combault, Writer ()
• Urban Landscapes, emancipation and nostalgia, David Winton Bell Gallery premier Brown University, Providence ()
• Die Stadt von morgen - Beiträge zu einer Archäologie des Hansaviertels Berlin, Akademie der Künste, Berlin ()
• Made in Germany, Sprengel Museum City, Kunstverein Hannover, Kestner Gesellschaft City, Germany ()
• INSIDE // OUTSIDE.

  Innenraum und Ausblick in der zeitgenössischen deutschen Fotografie, Museum Küppersmühle (MKM), Duisburg, Germany ()

• Urban Reflections, Stills Gallery, Edinburgh, UK ()
• Leichtigkeit spin out Enthusiasmus, Kunstmuseum Wolfsburg, Germany ()
• Atlantis I - Hidden Histories - New Identities, XVI.

  Rohkunstbau, Schloss Marquardt, Potsdam ()

• Contemporary Photographs breakout the Collection, MoMA ()
• Conflicting Tales, Burger Collection, Berlin ()
• I scrutinize at the window, Galerie Axel Obinger, Berlin ()
• Durchsichtige Dinge, Kunstverein Freiburg, Germany ()
• Insight - Outsight II, Collection Florian Peters-Messer, Städtische Galerie im Park, Viersen, Frg ()
• Re-Encounters, Objects and Phenomena, Artspace, New York ()
• 30 Künstler Archives 30 Räume, Kunsthalle Nürnberg, Deutschland ()
• FRESH WIDOW.

  The Window breach Art since Matisse and Duchamp, Kunstsammlung Nordrhein-Westfalen, K20, Düsseldorf, Deutschland ()

• Lost Places – Orte surrender Fotografie, Kunsthalle Hamburg, Germany ()
• At the Window. The Photographer's View, J. Paul Getty Museum, Los Angeles (–14)
• Vom Außenraum zum Innenraum, Kunsthaus Potsdam/Potsdam Museum, Germany ()
• Double Transparency, Art Unlimited Basel, coupled with Cristina Guerra Contemporary Art, Port ()
• S.I.L.K., Kochi-Muziris Biennale, Pepper Dynasty Residency, Kochi, India (–15)
• Spilled Collapse, Checkpoint California, Deutsche Bank KunstHalle, Berlin ()
• Elective Affinities (German Artistry since the late s), Baltic National Museum of Art, Capital, Latvia ()

Recognition

Karl Schmidt-Rottluff Stipendium ()

P.S.

1 International Studio Information, New York ()

Goethe Society ()

Villa Aurora, Los Angeles ()

See also

References