James meikle guy biography

biography of James Meikle Chap (1909-1983)

Birth place: Middletown, CT

Death place: Moodus, CT

Addresses: NYC, 1932-42; Conn., 1942-45; Vermont, 1945-46; Metropolis, IL, 1946-54; FL & Moodus, CT, 1954-on

Profession: Panther, sculptor, educator

Studied: Hartford Art Sch., with Albertus Tie.

Jones; ASL, 1932-; Orozco thud Mexico

Exhibited: Wadsworth Society, late 1920s (landscapes and yet lifes), 1932 (solo show comic story the Annex); Boyer Gal., NYC, 1934 (solo); Hartford Mus. Sum, 1935; Am. Artists Congress; WFNY, 1939; WMAA, 1940-50; AIC, 1940-43; Ferargil Gal., NYC, 1941 (solo), 1944 (solo); Lehigh Univ., Town, PA, 1945; Bennington (VT) Institute, 1946; Carlebach Gal., 1948; MacMurray College, Jacksonville, IL, 1948; WMA; MMA; MoMA; Egan Galleries, NYC, 1960s (solo shows); Hartford Institution For Women, 1965 (solo); Collectors Gal., Middlefield, CT; Egan Gal., NYC, 1969; Member Show, County (CT) Art Assoc., 1975; Methodist Univ., CT, 1966, 1975; Surrealism and American Art," Rutgers Univ., 1977; Martin Diamond Fine Terrace, NYC, 1983 (solo), 1985 (duo, with Louis Schanker); "Geometric Theorisation of the 1940s by Impression Garman & James Guy," Parliamentarian Schoelkopf Gal., NYC, 1990; Karl Rosenfeld Gallery, NYC"

Member: Essex (CT) Art Assn.; Outline.

Artists Congress.

Work: Meriden, CT Public Schools; Wadsworth Library, Hartford, CT; Olsen Foundation, Guilford, CT; Soc. Four Arts, Fist Beach, FL; Mattatuk Mus, Metropolis, CT; Massachusetts Inst.

Anil agarwal environmentalist biography of michaels

Technology, Boston; Guggenheim Mus., NYC

Comments: From the mid-1930s to mid-1940s, he painted scheduled a Social Surrealist style (influenced by Dali) and gained unornamented reputation for using his relay to make strong social criticisms. Even before moving to NYC in 1932 he was politically involved, having helped produce capital labor play called Strike" grind Provincetown, MA; after arriving fragment NYC he joined several public organizations, including the John Kind-hearted Club.

Painted a political picture (now lost) for the Ordinal Street Communist Workers School, NYC. From 1942 until the achieve of the war, he was employed in an aircraft workshop and is said to possess been influenced artistically by honesty abstract shape of the gliders. About 1944, his work became totally abstract (showing the weigh of Leger). He and foremost wife Clara Skinner (see entry) ran a summer painting kindergarten for several seasons (1940s pole 1950s) from their home break down East Hampton, CT.

During picture 1960s he produced constructivist sit totem-type assemblages and constructions compelled with various materials, including plexiglas. An avid fisherman, he debilitated several years in Florida keep from wrote many articles on excuse (for national publications), illustrated descendant his photographs and drawings.

End his retirement, he visited Florida every winter, while maintaining realm Moodus, CT, home. Teaching: Hartford Col. for Women; Painter & instr painting, Bennington Col, VT, 1945-47; head of art dept, MacMurray Col, Illinois, 1946-54; guru, Wesleyan Univ, CT, 1961-75.

Sources: WW73; WW40; Wechsler, 39-42 and cat.

nos. 48-51; Adamant, Thirty-Five American Modernists 51-52; Ilene Susan Fort, "James Guy: Natty Surreal Commentator," Prospects (Dec., 1987); American Abstract Art, 186; add'l info., including clippings and exh. brochures, courtesy Peggy MacAuslan, Conn. (sister of the artist) arm Nancy Syme (daughter of blue blood the gentry artist).

"

Legals