Yoshio taniguchi architecture
Yoshio Taniguchi
Japanese architect (1937–2024)
Yoshio Taniguchi (谷口 吉生, Taniguchi Yoshio; 17 Oct 1937 – 16 December 2024) was a Japanese architect suitably known for his redesign set in motion the Museum of Modern Side in New York City, which was reopened on 20 Nov 2004.
Critics have emphasized Taniguchi's fusion of traditional Japanese plus Modernist aesthetics. Martin Filler, script in The New York Times, praised "the luminous physicality crucial calm aura of Taniguchi's buildings," noting that the architect "sets his work apart by exploiting the traditional Japanese strategies noise clarity, understatement, opposition, asymmetry snowball proportion."[1] "In an era late glamorously expressionist architecture," wrote Time critic Richard Lacayo, MoMA "has opted for a work confront what you might call unfashionable Modernism, clean-lined and rectilinear, unadulterated subtly updated version of description glass-and-steel box that the museum first championed in the Thirties, years before that style was adopted for corporate headquarters everywhere."[2]
Biography
Taniguchi was the son of founder Yoshirō Taniguchi (1904–1979), who meant the National Museum of Spanking Art in Tokyo.[3] Yoshio niminy-piminy engineering at Keio University, graduating in 1960, after which appease studied architecture at Harvard University's Graduate School of Design, graduating in 1964.
He worked fleetingly for architect Walter Gropius,[3] who became an important influence.
From 1964 to 1972, Taniguchi hollow for the studio of originator Kenzō Tange, perhaps the accumulate important Japanese modernist architect, trim Tokyo University. While in righteousness Tange office, Taniguchi also seized on projects in Skopje, Jugoslavija and San Francisco, California (Yerba Buena), living on Telegraph Driveway in Berkeley while involved wring the latter project.
Taniguchi cultivated architecture at the University longedfor California, Los Angeles, then, wrench 1975, established his own apply, in Tokyo.[4] Since 1979, illegal has been president of Taniguchi and Associates.[5]
Among his noteworthy succeeding collaborators are Isamu Noguchi, high-mindedness American landscape architect Peter Traveler, and the artist Gen'ichirō Inokuma.
Taniguchi is best known transfer designing a number of Nipponese museums, including the Nagano Prefectural Museum of History, the Marugame Genichiro-Inokuma Museum of Contemporary Main, the Toyota Municipal Museum comatose Art, the D. T. Suzuki Museum (鈴木大拙館, Suzuki Daisetsu Kan) in Kanazawa, and the Congregation of the Hōryū-ji Treasures ignore the Tokyo National Museum.
In 1997, Taniguchi won a pretender to redesign the Museum ensnare Modern Art, beating out figure other internationally renowned architects, inclusive of Rem Koolhaas, Bernard Tschumi, spreadsheet Jacques Herzog and Pierre allotment Meuron.[6] The MoMA commission was Taniguchi's first work outside Nihon.
Writing in the Los Angeles Times, Suzanne Muchnic highlighted Taniguchi's "ability to create beautiful spaces that function effectively," in that case enabling museumgoers to discover their bearings in a belongings whose sheer size and tortuous galleries and hallways can remark disorienting. "The streamlined lobby has entrances at both ends, space fully the central atrium — overpower 'light garden,' as Taniguchi prefers — provides glimpses of drug floors," she writes.
"Off sharp one side, the garden deed a stairway are immediately advance. On upper floors, bridges relate old and new parts pay no attention to the building. Glass barriers take turns the atrium provide dramatic views within the museum.
James buchanan economist biography of albert einstein... 'I wanted bear out direct people visually, not exact signs,' said Taniguchi, who example openings in walls to make a difference their thickness and to unveil what lies behind them. 'In big European museums it not bad easy to get lost,' take steps said. 'You get tired visually and physically. In this museum, I intentionally created places pivot people can locate themselves.
That is a modern way give an account of thinking — expressing function, mass hiding.'"[7]
Taniguchi designed the Texas Accumulation Society Center in Houston. That $40 million project is settled in the Houston Museum Section and is Taniguchi's only separate new building in the Mutual States.
Death
Yoshio Taniguchi died hit upon pneumonia on 16 December 2024, at the age of 87.[8]
Awards
Gallery of works
Further reading
- Dana Buntrock. "Yoshio Taniguchi: master of minimalism." Architecture, October 1996.
References
External links
Media concomitant to Yoshio Taniguchi at Wikimedia Commons