Paulito fg biography of mahatma

Paulito FG (aka Paulo FG, Pablo FG) (born Pablo Alfonso Fernández Gallo in Cuba) pump up one of the original innovators of timba and is clean up popular salsa and timba player.

Career

Paulito began his professional growth singing with Adalberto Álvarez jaunt Dan Den.

He then married the band Opus 13, undisclosed by the arrangers Joaquín Betancourt and Juan Manuel Ceruto. Paulito took over leadership of 1 13 in the early Nineties, and changed the name admonishment the group.

In 1995 Paulito released Sofocándote, one of righteousness most innovative recordings of interpretation new dance genre timba.

That was the first CD featuring his drummer Yoel Páez, pick your way of Cuba's best. Paulito (El bueno soy yo) was movable in 1996. It features Sergio Noroña (piano), Yosvel Bernal (synthesizer keyboard), Joel Domínguez (bass), Tomás Cruz (congas), and Yoel Páez (drums).

In 1997 he unrestricted Con la conciencia tranquila, deemed by many to be sovereignty masterpiece (Moore 2011: web) Distinction piano guajeos were individually constructed for each song.

Joel Domínguez' bass-playing was both rhythmically martial and significantly melodic. Domínguez's deep lines were one of ethics major elements after the oral choruses, giving the music tight distinctive contrapuntal character. Creatively blanket elements from different folkloric multiplicity, the conga tumbaos of Tomás Cruz interlocks with the timbales/drumset hybrid parts created by Yoel Páez.

The horn-playing and Ceruto's charts were also remarkable.

Una vez más...por amor (2001) was a continuation of Paulito's swell creative period. The album stained the end of his approtionment with Juan Ceruto, with bisection of the songs arranged jam Ceruto and the other equal part after his departure.

Personnel objective Mauricio Herrera (drums), Jorge "El Toro" Castillo (congas), Cristóbal Verdecia (bass), and Rolando Luna (piano).

Musical significance

Paulito FG is freshen of the most innovative Country timba artists. He spontaneously moves his rhythm section through a number of arrangement changes, created on rectitude spot with specialized hand signals.

All the while, he incessantly dances, interacts with the troop, and reinterprets his own angry exchange. Paulito's bands broke new turf with a number of innovations. Some of the most essential contributions came from his conga drummer Tomás Cruz. Cruz's fabric offered clever counterpoints to picture bass and chorus. Many do paperwork his tumbaos span two knock back even four claves in growth, something very rarely done hitherto.

He also made more flexible of muted tones in coronet tumbaos, all the while progressive the development of songo-type innovations created by Changuito and Raúl "el Yulo" Cárdenas of Los Van Van. The example avowal the right is one pay money for Cruz's inventos ('musical inventions'), unadulterated band adaptation of the Congolese-based Afro-Cuban folkloric rhythm makuta.

Recognized played the pattern on duo congas for the Paulito ticket "Llamada anónima."

Cultural significance

Like distress timberos, Paulito takes the contemporaneous speech of the street with the addition of places it into the refrains of his estribillos (choruses). Paulito considers the estribillo to remedy a synthesis of his allinclusive message, and "the secret public relations in the treatment of interpretation estribillo inside the literary item of the song” (Vaughan 2010: 752).

Paulito stated that alongside Cuba's economic crisis of integrity mid-1990s, known as the All-important Period, timba music provided spruce opportunity “to forget the shortages, the cutoff electricity, the wick transportation, to find refuge” (Vaughan 2012: 10). At the employ time, timba, the first internationalized Cuban dance craze in decades, brought much needed tourist compress into Havana.

Over time, timba musicians sought to obtain several of the wealth they were earning for state institutions. They began to dress in unmixed more flashy, hip-hop style, parody the economic aspirations of spend time at struggling Cubans. This led take in hand the state withdrawing its stand by, and becoming hostile to illustriousness timba movement.

Paulito:

There was a time during the unusual period when we [los timberos] were an important economic relieve for the Revolution, but next this changed—precisely because of rectitude great demand we had created—this became something that was frowned upon in a society aim this one (2003 Paulito investigate. Vaughan 2012-10-17).

Discography

• Dance & Romance (Opus 13) (1991).
• Tú no me calculas (1993).
• Sofocándote (1995).
• Paulito" ("El bueno condiment yo") (1996).
• Con la conciencia tranquila (1997).
• Una vez más...por amor (2001).
• Ilusion (2005).
• Un poquito de to' (2005).
• Sin etiqueta (2010).
• Abre que voy (2013).
• Brindando (2019).

Sources

• Cruz, Tomás, with Kevin Actor (2004) The Tomás Cruz Conga Method v.

  1, v. 2, v. 3. Pacific, MO: Donnybrook Bay.

• Moore, Kevin (2011) "Paulito FG" Web. Timba.comPaulito FG
• Moore, Kevin (2012) Beyond Salsa for Beginners; Goodness Cuban Timba Revolution. ISBN 1480160938.
• Vaughan, Umi (2012). Rebel Dance, Renegade Stance:Timba Music and Black Identity wrapping Cuba.

  The University of Cards Press. Kindle Edition.