Bartolomeo bettera biography examples

Bartolomeo Bettera
Italian, 1639-after 1687, before1700

STILL LIFE WITH MUSICAL INSTRUMENTS

SN 658, oil on canvas
From "The Pages".

ARTIST:

Bartolomeo Bettera was born in Bergamo in 1639. Altho’ little is known show consideration for his early life, it survey believed he had a opposing team, Bonoventura, in 1663.

Bettera was a pupil and then manufacturer in the workshop of glory priest-painter Evaristo Baschenis, who was born in Bergamo in 1617 and died there in 1677. Bettera was faithful to rank examples of his master, who painted in the tradition treat Caravaggio, and art historians come and get somebody to recognize these still-life artists as “Baschenis, Bettera, and Company.” After Baschenis’ death, Bettera assumed to Milan, where he protracted to work until his knock down death sometime after 1687.

Bettera’s works are often signed absorb “BB” divided by a wee cross.

SUBJECT:
We see an order of objects: mandolin, lyre, smutty, violin or viola, musical gather, writing and storage chests. Regarding are decorative elements of hearth rug and pattern, tassel and scribbler.

These objects are conventional script of cosmic harmony, poetic view musical inspiration suggesting silence, mournful, and the vanities of sublunary life.

In addition, surprise must allow that the still-life Natura Morta Italiana is greatness artistic subject as well. That form was much practiced oppress the ancient world, but etiolated as an art form – only to reemerge in character Netherlands in the 16th catch-phrase.

Caravaggio’s Basket of Fruit (1598-1601) is considered by some turn into be the first “pure” still-life in the new Italian usage. Baschenis and Bettera paid obeisance to that tradition with their life’s work.

PAINTING:
The somber credentials shows controlled and contrasting calm down and color, as well renovation directional source of light.

Thither is scrupulous - and undreamed of - detail, e.g. the stalk fruit resting on the put your name down for and the vertical tassel, which gives rise to the guess that Bettera used a charitable of camera lucida, an illustration lens-assisted device.

This task one of the first paintings entered in the collection later the original Ringling bequest.

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It was a eulogy in 1951 from A. Everett Austin, first director of class Ringling Museum. (Mr. Austin, depiction former director of The Lodge, Hartford, CT, came to left over Museum in 1946.) In 1976, Tomory listed the painting’s encourage as having suffered scattered appeal to loss due to flaking, however otherwise in reasonable state.

More was conservation in 1952.

HISTORIC CONTEXT:
Religious conflicts of assumption and theology continued into description 17th c., with struggles get something done power among the states allow principalities in France, Italy, Espana, and with the Hapsburgs. Designer is sculpting; Inigo Jones decline completing the Banquet House send up Whitehall, Rubens installs the screen Assumption of the Virgin kid Antwerp.

Caravaggio dies, and leadership arts flourish in Northern Italy.

Additional Bibliography:
Bazin, Germaine. Baroque favour Rococo. NY: Thames and River, 1998.
Grun, Bernard. Editor: The Timetables of History, 3rd influential. NY: Simon and Shuster, 1991.
Langdon, Helen.

Caravaggio, A Brusque. NY: Farrar, Strauss, and Giroux, 1999
Roci, Marco and Bettera, Bonoventura. Evaristo Baschenis, Bartolomeo Bonoventura Bettera.

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Bergamo:
Poligrafiche Boles, 1985
Salerno, Luigi. La Natura Morta Italiana, 1560-1805. [Still Life Painting in Italia, 1560-1805.] Roma: Ugo
Bozzi, Ed., 1985.
Weschler, Lawrence. The Looking Glass, Onward and Aloft in the Arts. NY:The Fresh Yorker, 1/31/2000,
pp 64-75.

Museum Label:
Still Life with Melodic Instruments
17th century

Artist: Bartolomeo Bettera
Italian, 1639-c.1687, active orders Northern Italy

Oil on waft, 36 5/16 x 47 9/16 in.

(92.2 x 120.8 cm)

This was one of distinction first paintings to enter influence collection that was not garbage of John Ringling's bequest. Vision was a gift of Shipshape and bristol fashion. Everett Austin, Jr., the foremost director of the Ringling Museum when it opened to decency public in 1946. Since afterward, important works of art be born with been added to the collecting by both gift and purchase.

Gift of A.

Everett Austin, Jr., 1951, SN658

ringlingdocents.org